By SOMINI SENGUPTA

NEW DELHI, May 18 - It's a heady time for Indian contemporary art. Never before has it fetched such extravagant prices and acclaim abroad. Never before have Indians at home been so prosperous as to support a proliferation of galleries, exhibitions and even investment funds devoted to art.

But art and its inevitable transgressions continue to provoke fury in Hindu nationalist quarters, leading stalwarts to shut down an exhibition, drive an artist out of the country or, in the latest case, send a young art student to jail for a final-exam project deemed offensive. The student's arrest has prompted protests from prominent artists across the country and dominated newspaper headlines in recent days.

The tempest began on May 9 when a lawyer accompanied by police officers and television news crews marched into the art department at the respected Maharaja Sayajirao University, a state-run institution in Vadodara, in western Gujarat state. (Gujarat's elected government is led by the Hindu-nationalist Bharatiya Janata Party.)

The lawyer, Niraj Jain, based locally and affiliated with the party, said he was aggrieved by several works exhibited on a wall in the department library, including a painting - or rather a digital enlargement of a painted work - depicting a female form wielding weapons in her many arms, evoking a goddess from the Hindu pantheon, and giving birth. It was the final-year art project by Chandramohan, a graduate student who goes by one name.

The university, at the urging of Mr. Jain, persuaded the police to arrest the student and put him in jail. His crime, the city police commissioner, P. C. Thakur, said, was "deliberately offending religious sentiments."

In response Chandramohan's fellow students swiftly cobbled together material from the art history department archives and mounted an exhibition to underline the obvious: that even ancient Indian art is replete with explicitly erotic forms.

Chandramohan was released on bail on Monday after five days' imprisonment and has gone into hiding. He could not be reached for comment.

Mr. Jain, whose police complaint set off the art school crisis, said he was proud of his campaign. He described the student's artwork as an attack on Indian culture. "I cannot tolerate any insult to our culture and to our god and goddesses," he said in a telephone interview. He said he was also offended by a student painting in which a figure of Jesus was placed before a toilet.

It is not the first time artistic expression in this country has been squelched by state institutions. In Mumbai, India's commercial capital, a court charged M. F. Husain, perhaps India's most famous contemporary painter, with obscenity because of a painting he made of a goddess in the nude. Mr. Husain now lives in self-imposed exile in Dubai. Because he had not appeared for court hearings, the court recently issued a notice directing that his property in Mumbai be seized. (The Supreme Court has issued a stay.)

India is rarely lacking for paradox, and one of the most striking is that the puritanism of today's Hindu radicals coexists with a long tradition of graphic sexual iconography. Hindu temple carvings often feature elaborate scenes of copulation. Among the best-known examples, at Khajuraho, in central India, was invoked this week in newspaper commentaries skewering what was referred to as the moral police brigade.

excerpted from:
"At a University in India, New Attacks
on an Old Style: Erotic Art"
By SOMINI SENGUPTA
© New York Times, May 19, 2007